| Eliza Godman | ||||
| Booking Agent: Top Technicians (02)9958 1611 | ||||
| Email :elizagodman1@gmail.com | ||||
| Awards | AFI Award Best Costume Design "Australia" | |||
| RECENT | * Rose Rabbit Lie – Grand Social Experiment – Cosmopolitan Las vegas (July 2013 – Jan 2014) | Costume Director | ||
| * CHANEL ALLURE – Revolver – Director : Baz Luhrmann – Designer : Catherine Martin (June 14) | Surf Unit Costume Director | |||
| * VIRGIN – TVC – Exit Film – Director : Kiku Ohe | Costume Designer | |||
| * WOOLWORTHS – Rapid Films – Director Jono Nyquist | Stylist | |||
| * TATTSBETT FOOTY FINALS – 3 Monkeys – Photographer: Michael Corridore | Costume Designer Stills | |||
| Film | * Australia – Baz Luhrmann (Catherine Martin) 2006/2007/2008 | Wardrobe Director | ||
| * Wolverine – Fox – Gavin Hood (Louise Mingenbach) 2008 | Assistant Costume Designer | |||
| * King Kong – Universal Pictures – Peter Jackson (Terry Ryan) 2005 | Assistant Costume Designer | |||
| * The Great Gatsby 2011 | Costume Consultant | |||
| * Alexander the Great Development – Baz Luhrman (Cartherine Martin) 2004 | Costume Supervisor | |||
| * Queen of the Damed – Paramount – (Angus Strathie) 2000 | Costume Supervisor | |||
| * Moulin Rouge – Fox – Baz Luhrmann – ( Catherine Martin, Angus Strathie) 1999 | Costume Supervisor | |||
| * Kangaroo Jack – Jerry Bruckheimer Films – (George Liddle) 2001 | Costume Supervisor | |||
| * Swimming Upstream – Paramount Films – ( Angus Strathie) 2001 | Costume Supervisor | |||
| * Mission Impossible 2 – Paramount Films – (Lizzie Gardiner) 1999 | Costume Co-ordinator | |||
| * Above the Dust Level – Scarlett Pictures – 1998 ( Short Film) | Costume Designer | |||
| * The Bush – Short Film – (Objet Bart) 1997 | Costume Designer | |||
| Television | * The Silence – Jan Chapman – (Emily Serinsen) 2005 | Costume Stylist Stills | ||
| Theatre | * La Boheme – Broadway – Baz Luhrmann ( Catherine Martin, Angus Strathie) 2002 | Costume Supervisor | ||
| * Cabaret Australia (William Ivey Long)2002/03 | Associate Designer | |||
| * Opera Australia (Lluc Castells) Madam Butterfly 2013 | ||||
| TVC’s/Stills | Designer/Stylist | 2014 | Sara Lee – Rapid – Director (Johnathon Nyquist) | |
| Pizza Hut – Kite Productions – Director (Josh Whiteman) | ||||
| Michelle Bridges – 12WBT – Rapid – Director (Johnathon Nyquist) | ||||
| Samsung – Rapid – Director (Dave Klaiber) | ||||
| Energy Australia – Rapid – Director (Dave Klaiber) | ||||
| 2013 | * LG – Film Graphics (Adam Blaiklock) (Styled Ewan McGregor) | |||
| * IGA – Film Graphics (Adam Blaiklock) (Styled Ahn Doh) | ||||
| 2012 | * Boags Fascinator Campaign Stills – Map – (Mojo) | |||
| * Kia – Finch (Nick Ball) | ||||
| * RTA – Plan B – Finch (Nick Ball) | ||||
| * I&J – Finch (Nick Ball) | ||||
| * Woolworths – Finch (Nick Ball) | ||||
| * V – Rentals – Prodigy (Jim Hoskins) | ||||
| * Holden – Moth – (Jeff Darling) | ||||
| * The Star – Revolver – (Steve Rogers) | ||||
| 2011 | * Commonwealth Bank – Good oil (Micael Spiccia) | |||
| * Commonwealth Bank stills – Centenary Map Productions | ||||
| * AFTRS Stills – Map Productions | ||||
| * Smith Family Stills – Map Productions | ||||
| * NAB – Revolver (Steve Rogers) | ||||
| * Hard Yakka – Good oil (Matt Murphy) | ||||
| * Telstra – Flying Fish (Adam Blaiklock) | ||||
| * Aldi – Flying Fish (Adam Blaiklock) | ||||
| * HBF – Flying Fish – (Niki Cato) | ||||
| * KFC – Film Construction (Eden ) | ||||
| * Oral B – Prodigy | ||||
| 2010 | * Fragrance Temptations – Taxi Film (Gemma Lee) | |||
| * Flora – Flying Fish (Anthony Rose) | ||||
| * Axe – Film Construction (Eden ) | ||||
| * Napisan – Film Graphics ( Marc Fumie) | ||||
| * Kellogs – Film Construction (Eden) | ||||
| * Volkswagon – Revolver (Steve Rogers) | ||||
| * Qantas St (Stills Shoot) (Designed for John Travolta) | ||||
| * Uncle Tobys – Film Contruction (Eden) | ||||
| * Listerine – Film Construction ( Eden) | ||||
| * Airwick – Film Graphics – (Marc Fumie) | ||||
| 2009 | * V8 Supercars – Radical (Dave Myers) (Designed for Pink) | |||
| * Vasaline – Revolver (Noam Murrow) | ||||
| * New Idea – Martin Brown Films ( Kezia Barnett) | ||||
| * RSVP – Film Construction ( Eden) | ||||
| * Kia – Revolver (Steve Rogers) | ||||
| * Virgin Mobile – Radical ( Gary Friedman) | ||||
| * Viagra – Film Construction – (Eden) | ||||
| 2009 | * Australian Tourism – Revolver (Bruce Hunt) | |||
| * Intralot – Revolver – (Jim Hosking) | ||||
| 2005 | * Carlton Beer – Revolver (Steve Rogers) | |||
| 2004 | * Chanel Commercial – Baz Luhrman (Catherine Martin, Karl Largerfeild) | |||
| * Commonwealth Bank – Film Graphics | ||||
| * Listerine (Film Graphics) | ||||
| * Holeproof (Silverscreen) | ||||
| * Bluescope Steel ( Luchious) | ||||
| * Vodaphone Commercial (8 Communications) | ||||
| 2003 | * Visa Commercial – (lushious) | |||
| * Equal Commercial -(8 Communication) | ||||
| * 7-up Commercial – (8 Communications) | ||||
| * DVLA Road Tax Commercial – (Good Oil Films) | ||||
| Pre | 2000 | * Carlsberg Beer – David Gaddie (Prodigy) | ||
| * Qantas Inflight Commercial – (Extro Design) – 1998 | ||||
| * Fred Hollows Sunnies for Sight Commercial – (POD) – 1998 | ||||
| * St George Foundation Commercial – (Rowan Dean) 1998 | ||||
| * Liz Mulliner Child Abuse Commercial – ( Rowan Dean) – 1998 | ||||
| * Jetset Seris x 2 Commercials – (POD Films) – 1998 | ||||
| * Jetset Seris x 7 Commercials – (POD Films) – 1998 | ||||
| * Documentary on Outback Assistance – (ABC) – 1998 | ||||
| * Continental Noodles Commercials – (POD Films) – 1998 | ||||
| * Maggi Noodles – (I Claudius) – 1998 | ||||
| * Decore Commercial – (POD Film) 1997 | ||||
| * CTI Telecommunications Commercial – (Gas Film) 1997 | ||||
| Costume Co-ordinator | * Coca Cola Commercial – Mystery Clock Cinema – (Lizzie Keogh) 1998 | |||
| * Crown Casino Commercial – (Jenny Sant) 1997 | ||||
| Lectures | * University of San Francisco – Costume – October 2002 | |||
| * Powerhouse Museum – Period Costume – Sept 2001 | ||||
| Teaching | * Applied Design – KVB College of Visual Communication 1997 | |||
| Wardrobe Wig Director | August 1994 until December 1996 | |||
| Opera Australia | ||||
| The Australian Opera has the largest full time Wardrobe Departments in Australia and is considered to be one of the three largest full time repertory companies in the world. As Wardrobe Wig Director I have been responsible for the management of both the manufacturing and stage operations of the Wardrobe and Wigs/Make-up departments Some of my responsibilities have included: liaising directly with designers and directors to determine and create production requirements; the realisation of 5 New and 14 revived productions per year; to ensure the cut and fit of garments are in line with the designers specifications, the company standard and within time and budget allocations; redesigning of revival costumes to compliment different figure types; co-ordination of Wardrobe requirements for touring including the preparation of carnets for overseas transportation; the co-ordination and personnel management of 45 full time staff complimented by addition casual and contract staff as required (such as dressers, cutters, makers, buyers, make-up artists and hairdressers); the preparations of estimates/costings and provision of professional advice to achieve budget; the monitoring and reporting of expenditure against accepted estimates and the day to day running of departmental activities. |
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| Education | Fashion Technology Diploma (1988 until 1991, TAFE, Full Time) | |||
| Small Business Certificate ( 1991 TAFE,Part time) | ||||
| Fashion Retail Certificate (1987 TAFE, Part time) | ||||
| Private Art School – Fashion Illustration | ||||
| – Commercial Art | ||||
| – Portraiture | ||||
| Computer Skills – Photoshop Excel, Word, MYOB | ||||
Small subtitle here
ABOUT ELIZA GODMAN
I am Eliza Godman
Eliza has been working with textiles for over 25 years. Her Career has spanned Film, Theatre, Opera and Fashion which has given her a vast knowledge of both the history of fashion and textiles and also modern textile and manufacturing techniques. Eliza is also passionate about quality and craftsmanship of the garments.